01 · For music supervisors
MUSIC YOU DON'T
HAVE TO CHECK.
We don't send you more music. Every catalog that leaves here is verified — metadata complete, splits signed, works registered, masters cleared, delivered to spec. Your QC is the cost we remove.
02 · The cost nobody bills for
BAD SUBMISSIONS
ARE THE EXPENSIVE PART.
Not the licence fee. The hours spent chasing a split that was never signed, a master nobody can clear, a cue with no ISRC, four days before a deadline — and the submissions rejected on paperwork before anyone got to hear whether the music was any good. That cost sits on your side of the table, and almost nobody upstream does anything about it. That is the entire reason this exists.
CHECKED BEFORE IT REACHES YOU.
Not screened for taste — that is your job and we would not presume. Checked for the things that make a yes possible on a deadline.
Ownership is written down
Writers, publishers and shares identified, with split sheets signed by every contributor — before it is ever pitched.
Registered where it needs to be
PRO registration and publishing administration in place, so performance income has somewhere to land.
One-stop where we say it is
And where it is not, we say that too, with the reason. A surprise third party is worse than a no.
Metadata to spec
ISRC, ISWC, correct titles, correct spellings, contact of record. The fields that get a cue sheet filed without a phone call.
Deliverables that exist
Instrumental, TV mix and stems — actually rendered and actually present, not promised on request.
Cleared samples, declared AI
Anything sampled is cleared or it does not go out. Anything AI-assisted is declared. No exceptions and no surprises.
THE ARTIST IS TOLD EXACTLY WHAT IS MISSING AND IT GETS FIXED — WHICH IS THE ACTUAL WORK WE DO,
AND THE REASON THE ONES THAT REACH YOU ARE CLEAN.
FREE TO YOU. NOBODY BUYS THEIR WAY IN.
An artist can pay us to get their catalogue into a state where it can be said yes to. They cannot pay us to put it in front of you. The gate is the checklist, not the invoice.
We return verified, on-spec submissions that fit it — or we tell you we have nothing that does. An honest nothing is faster than a hopeful maybe.
Artists do pay us — to get a catalogue registered, papered and delivered to spec. That fee buys the work, never the pitch. A catalogue that fails the checklist is not sent to you at any price. And a portion of what you get from us nobody paid for at all: we carried the clearance cost ourselves because we believed in it, and we take a larger share only if it places.
Yours or ours. The artist finds out what was actually wrong, fixes it, and stops making the same mistake.
How many submitted, how many forwarded, how many placed — misses included. You can check whether we are any good.
WE'RE SMALL, AND WE'LL SAY SO.
You get pitched constantly by people claiming more than they have, so here is the plain version.
We are early
A short roster and a small number of credits between us. We are not going to dress that up, because you would find out in one phone call and then nothing else we said would count.
What we are actually good at
Getting a catalog into a state where it can be said yes to. That is unglamorous, most artists never do it, and it is the thing standing between you and material you could have used.
We take nothing from the artist's ownership
No publishing, no masters, no percentage of their catalog. We represent work, we do not own it — so nothing you licence from us has a claim behind it you did not see.
If we are no use to you, we will stop
We would rather be a contact you are glad to hear from twice a year than one more name you filter.
TWENTY MINUTES.
Not a pitch. We want to know what a usable submission looks like from where you sit — what makes you reject one on sight, what you wish arrived differently, what your briefs actually need. We will publish what we learn and credit you for it.
THE DM
@thefrvrclubOne of the two of us is reading it. No coordinator, no assistant, no sequence.
Message usTHE EMAIL
thefrvrclubmusic@gmail.comSend the brief and the spec you need and we will answer with what fits it — or tell you we have nothing.
Send a briefTHE CALL
Twenty minutes · nothing soldGive us three windows and we take the one that works. We will ask the questions and you will do most of the talking.
Book a callAND WE WILL SAY SO PLAINLY RATHER THAN TURNING THIS ONE INTO IT.
07 · Who you'll be dealing with
YOU GET A PRINCIPAL,
NOT A COORDINATOR.
Cameron Williams and Lucas Valeti run this, and you will be talking to one of us — the same two people who are accountable for whatever lands in your inbox afterwards. Behind us is the team that does the verification, which is why what reaches you is clean rather than merely promised.